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“We have come a long way,” says Andrea Pospíchalová, owner of Pallme König, a Czech brand whose history dates back to 1786. Initially a family business devoted to crafting high-quality glassware and chandeliers, it expanded its reach over the centuries, developing new methods of glass production and finishing. Many of these techniques are preserved and still employed by Pallme König — and even continuously refined to perfection.
Today, the brand’s products made in Kamenický Šenov find their way across the globe, proving that Pallme König — and Czech glass artistry in general — still has much to offer. “It’s a great responsibility,” admits Andrea Pospíchalová. “We carry the legacy of generations of glassmakers while representing our country on the world stage.”
While minimalism gains popularity in Czechia, international clients often cherish traditional techniques. “It’s an interesting phenomenon,” explains Andrea Pospíchalová. “Here, few people would buy champagne flutes adorned with gold trim and gemstones. But worldwide, there’s still great demand.” This contrast presents both a challenge and an opportunity. “We must be flexible,” she admits, noting that while Pallme König preserves time-honored methods, they adapt to evolving market trends. “At times, modern processes replace old craftsmanship, impacting product aesthetics, quality, and pricing. Our goal is striking the right balance.”
Given this reality, it’s crucial for her that the craft is passed on to young people. “Whether they focus on glass blowing, painting, or engraving, they need the right environment to flourish. That’s why we continue to provide opportunities for fresh talents.”
At Pallme König, one certainly has the opportunity to showcase their skills — the brand’s signature pieces still feature hand-blown glass adorned with high-temperature colors. In the workshops, skilled artisans apply multiple color layers, sculpt reliefs, and add gilding. “It’s incredibly detailed and precise work,” the owner points out. The brand also specializes in clear glass with hand engraving and polishing, or layering with colored glazes. “We often blend various techniques,” she adds. Pallme König’s collection boasts pieces of bi-colored glass — hand-cut, polished, engraved, and crowned with gilding.
Yet, despite being globally renowned, Czech glassmaking, including Pallme König, faces numerous challenges. “In recent years, many companies have closed. Those that remained had to adapt. This led to changes in both demand and supply,” explains Andrea Pospíchalová. But she remains optimistic. “I believe Czech glassmaking has a future. We draw from centuries of experience, passed down through generations. That’s not easily replaced. As long as people appreciate the beauty and quality of handcrafted work, Czech glass will have its place on the world stage,” she concludes.
